013117_YKMV_A16.pdf
January 31, 2017 • Page 16
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Yankton Library
Time To Turn The Page? The Exaggerated Death
Of The Library
BY TONYA OLSON
Yankton Community Library
Hello! I’ve recently stepped into the position of
library director at the Yankton Community Library and
it has already been a wild ride. In less than a month,
I’ve attended meetings, declared snow days, met with
staff, worked the desk, helped plan programming and so
much more. I look forward to more of all of these things,
with the exception of the snow days, and to getting to
know more about our wonderful community.
One thing I can tell you about public libraries is that
our death has been largely exaggerated. As a library
professional, it can sometimes feel that whenever
there’s a slow news day, another person decides to
write about the impending death of public libraries.
Seems like a no-brainer, right? I mean, we’re 25 years
into mainstream internet access! Amazon Prime exists!
Everyone has an eReader! Those darn millennials don’t
like to read; they spend all their time on their phones!
Not so fast. In actuality, more than a quarter of U.S.
households don’t have a computer with an internet connection. According to a 2016 survey conducted by the
Pew Research Center, a majority of people ages 16-49
have used the library at least once in the past year and
40-45 percent of people ages 50+ have as well. Another
Pew survey found that the majority of people are still
reading print books exclusively, or a mixture of print
and digital, with only 6 percent of respondents reporting that they read exclusively digital books. I must say,
I’m not surprised. While I use Overdrive (our library eBook platform) to download books to my Kindle and love
the convenience of that, there really is something about
experiencing the physicality of a book. (Anyway, back
to our exaggerated demise.) Pew also found that most
people view libraries as positive community spaces,
particularly as a safe space for people to meet, a place
to learn about new digital trends and technologies and a
place to seek trustworthy information.
As a librarian, I’m thrilled to hear that public opinion
mirrors my own experiences with libraries. I’m excited
to help create opportunities for the citizens of Yankton
to continue having these positive experiences too. So,
if you haven’t been in to see us in a while, stop and
visit! You may not find the shushing spinster of librarian
caricatures-past (in fact, depending on the day, you may
end up wanting to shush us), but I’m confident we have
something for you, whether that be internet access, the
latest bestsellers, a new TV series to binge on, audiobooks that can be downloaded directly to your phone,
or the latest from your favorite magazine, we’ll help you
out.
As for library events, we will be holding all of our
normal programming in February including: three weekly story time sessions, two weekly toddler story time
sessions, Thursday & Friday after-school activities, teen
events, Yankton Seed Library classes and programs,
book clubs, craft nights, the Friends of the Library Book
Sale and hosting the LifeServe Blood Bank.
We are also excited to be welcoming two local
authors in February. Travis Gulbrandson, of Yankton,
will be joining us on Feb. 23 to discuss his recent novel,
“A Marble Heart.” The following Monday, Feb. 27, Phil
& Sandy Hamman of Sioux City will be discussing their
recent true crime memoir, “Gitchie Girl.” Both books are
currently available at the library and will be available
for sale at the events.
The library will round out the month with our everpopular Oscar’s Weekend! In the weekend leading up to
the Academy Awards, we will be screening several of
the nominated pictures. We’re currently finalizing the
showings, so look for more information on that soon.
The best way to follow along with all of our library
happenings is to follow us on Facebook by searching
Yankton Community Library or check out our events
calendar on our website at http://library.cityofyankton.
org. You’re also always welcome to call or email us with
questions at library@cityofyankton.org or 605-668-5275.
We look forward to seeing you!
Appreciation
Remembering A Vulnerable, Iconic Superstar
BY STEVE JOHNSON
© 2017, Chicago Tribune
A key thing to remember about Mary
Tyler Moore is this: She was a television
star like few others, the centerpiece of
two classic series.
Moore, who died Wednesday in a
Connecticut hospital at age 80, was Laura Petrie, the title star’s young wife in
“The Dick Van Dyke Show” of the early
1960s. And a decade later, the name on
the show’s title was hers as she played
Mary Richards, Twin Cities TV news
producer and, as a single career woman
who wasn’t pining for a partner, icon of
the feminist era.
Lots of people wind up in TV shows.
Few make it into good shows, fewer still
into ones that can be fairly called “classic.” But to land in two such means you
have something a little bit magical to
bring to the table reading, and then to
American living rooms.
In Moore’s case, beyond the evident
brains and beauty, it was the suggestion of a soul beneath the TV comedy
lines and situations. On paper, Laura
and Mary were very different women
who were both emblematic of their
times, but in each of them there was
something that seemed essentially
Moore. She brought a hint of fragility to
these characters, of the way we all work
sometimes to hold it together, that put
viewers squarely on her side.
She could and did convey pluck and
can-do spirit, of course — “You’ve got
spunk,” TV boss Lou Grant famously
told Mary Richards. “I hate spunk.” —
but it was the vulnerable kind more
than the brassy kind. Two of her signature lines were delivered with a quaver
of exasperation at the men who had
degrees of control over her life: “Mister
Grant” to Ed Asner’s Grant, “Oh, Rob,”
to Van Dyke’s Rob Petrie.
Although she was more often the
straight man for other actors’ laughs,
she had impeccable timing. In between
Asner’s two lines about spunk, Moore
does a perfect aw-shucks routine that
gives the punchline its power.
In another “MTM” episode, a friend
makes a vulgar green dress for her. “She
designed it especially for me,” Moore
says gamely, in the same spirit that she
is trying to summon up as she wears the
thing. But the immediate throat clearing
and almost desperate look away tell of
her true horror.
Or watch as the realization of what
is happening in “Dick Van Dyke’s” enduring “That’s My Baby” episode plays over
the face of Laura Petrie. Husband Rob
has convinced himself that their baby
was switched at the hospital with that
of another couple. He invites them over
to fix things, over Laura’s protestations.
And when the couple walks through
they door, they are African-American.
Van Dyke does the deft double take that
starts the laughter. But Moore makes it
roll onward. She takes Laura, wordlessly, from the truth dawning to unabashed
delight in this little domestic comedy to,
perhaps, an upbraiding of her husband
— all of this in just a few seconds — to
remembering her manners and rushing
over to introduce herself.
The famous scene at the funeral of
Chuckles the TV Clown on “MTM” came
close to delivering the full spectrum
of Moore. As she and colleagues wait,
Mary Richards upbraids them for joking
at a funeral. The eulogy starts, and,
hearing the absurdity of one Chuckles
character name and catchphrase after
another, Mary, of course, is the one who
can’t contain herself. She giggles, she
snorts, she breaks into louder laughter,
all the while trying to play it off with
coughs and look-away gestures.
When the speaker can no longer
ignore her, he invites her to stand and
laugh out loud because Chuckles loved
laughter and, the man says, abhorred
tears. And Mary, standing there in
somber black dress, breaks down in
sobs. It’s the funniest moment yet, not
only for the rapid emotional switch,
for this essentially good person once
against doing the exact wrong thing,
but because it is entirely true to the
vulnerability she has stuffed into this
character.
A great TV series is alchemy. All
of the major parts — writers, actors,
storyline, cultural moment — have to
be working or the show falls off by more
than a little bit.
But indisputably, Moore was a key to
both of these timeless shows, as you’ll
be able to see if you take a few commemorative minutes to call up a few
episodes online. She had the good taste
to want to be part of them, the chops
to handle what they asked of her and
to sneak in something extra, and the
courage to stand proudly with them as
they occasionally led the nation forward
on social issues. She had something we
loved, and it is entirely fair to go ahead
and call it spunk.
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