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shop online at www.missourivalleyshopper.com
New At The Library
Here’s what’s new at the Yankton Community Library this week:
Adult Books
• Behave by Andromeda Romano-Lax; Fiction
• Carry Me by Peter Behrens; Fiction
• The Considerate Killer by Kaaberbol & Friis; Fiction
• Far from True by Linwood Barclay; Fiction
• Flight of Dreams by Ariel Lawhon; Fiction
• The Friends We Keep by Susan Mallery; Fiction
• The Gangster by Clive Cussler; Fiction
• Off the Grid by C. J. Box; Fiction
• The Passenger by Lisa Lutz; Fiction
• Thin Ice by Irene Hannon; Fiction
• First Bite by Bee Wilson; Nonfiction
• Gitchie Girl by Phil & Sandy Hamman; Nonfiction
• Lights Out by Ted Koppel; Nonfiction
• When Hitler Took Cocaine and Lenin Lost His
Brain by Giles Milton; Nonfiction
• The Wisest One in the Room by Gilovich & Ross;
Nonfiction
• Your Fit Pregnancy by Erica Willick; Nonfiction
Adult Audio Books
• Flight of Dreams by Ariel Lawhon; Fiction
• A Girl’s Guide to Moving On by Debbie Macomber;
Fiction
• Midnight Sun by Jo Nesbo; Fiction
• The Widow by Fiona Barton; Fiction
Adult DVDs
• Doc Martin, season 7
• Noah’s Ark
• The 33
Young Adult Books
• The Girl Who Fell by S. M. Parker; Fiction
• Titans by Victoria Scott; Fiction
• The Unlikely Hero of Room 13 B by Teresa Toten;
Fiction
Junior Books
• Behind the Canvas by Alexander Vance; Fiction
• The Land of Forgotten Girls by Erin Entrada Kelly;
Fiction
• Maybe A Fox by Appelt & McGhee; Fiction
• The Remarkable Journey of Charlie Price by Jennifer Maschari; Fiction
———
Did you know that you can reserve an item from home?
Staff will then notify you as soon as the item is available.
Illusionist Reza Slated For Yankton Show
Reza the Illusionist will return to Yankton April 22 for a 7
p.m. benefit performance at the Dakota Theatre.
All proceeds from the show will benefit the Yankton
Homeless Shelter.
Considered “The Nation’s Top Touring Illusionist” by critics, Reza has brought his unique brand of entertainment to
theatres across the nation. “The Edge of Illusion” will feature
largely original illusions and content. Reza infuses his familyfriendly show with humor, charm and an uncanny ability
in the art of misdirection. When the Brookings native last
performed at the Dakota Theatre, tickets sold out quickly.
Tickets are now available at the Dakota Theatre, Hy-Vee
& the Yankton Homeless Shelter. For more info call 605-6615153.
The Yankton Homeless Shelter benefit is also sponsored
by Modern Woodmen, M.T & R. C. Smith Insurance, Shurco
and Truxedo.
SHMS To Present ‘The Lion King Jr.’
Yankton’s Sacred Heart Middle School is presents Disney’s “The Lion King Jr.” Thursday, March 17, and Tuesday,
March 22, at Link Auditorium. Both performances are at 7
p.m.
The show features music and lyrics by Elton John and
Tim Rice, with additional music and lyrics are by Lebo M,
Mark Mancina, Jay Rifkin, and Hans Zimmer. The book was
by Roger Allers and Irene Mecchi.
The show is based on the Broadway production directed
by Julie Taymor.
Renaissance Mini-Concert For Kids Set
VERMILLION — The Edith B. Siegrist Vermillion Public
Library will host a performance of Renaissance music by
famed quartet Ayreheart on Friday, March 18, at 10:30 a.m.,
to celebrate the Shakespeare Folio exhibition at the National
Music Museum.
Children of any age, and caregivers, are welcome to attend
this mini-concert aiming to introduce children to the music of
Shakespeare’s time.
The quartet, composed of members Ronn McFarlane,
Brian Kay, Will Morris, and Mattias Rucht, performs Renaissance concerts with voice, two lutes, colascione (a kind of
bass lute) and hand percussion. These historically informed
concerts give a glimpse into the lute’s past, and the expressiveness that prompted Renaissance writers to call the lute
“The Prince of Instruments.”
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1915 Broadway, Yankton, SD
GLASS 605-665-9841
March 15, 2016 • Page 21
The Bookworm ... For Kids
Corresponding With The Pope
“Dear Pope Francis” by Pope Francis,
in conversation with Antonio Spadaro,
S.J.; Tom McGrath, Project Managing Editor; © 2016, Loyola Press. 72 pages.
———
BY TERRI SCHLICHENMEYER
Getting something in the mail is a lot
of fun, isn’t it?
What was the last thing you got from
the mailman? Maybe a birthday card
with money. Maybe you got a postcard
from Grandma or a package from your
Auntie. Getting mail is a nice surprise,
even for Pope Francis. He receives letters from all over the world, as you’ll
see in “Dear Pope Francis.”
Imagine being the guy who brings
mail to Pope Francis. That’s what Antonio Spadaro did one day: on a “hot August afternoon,” he took thirty letters
written by children from all over the
world, and gave them to the Pope. Then
Spadaro waited for answers, which he
knew the Pope was eager to give.
“… these are tough questions!” the
Pope said. Even so, he knew just what
to say.
Pope Francis loves children, and
he likes to talk with them and see their
drawings. He remembers how it was
when he was young: he liked to dance
the tango, he liked soccer, and he recalls
what it’s like when people you love
argue.
Don’t argue, he says. “That will be
good for everyone.”
In his answers to the letters, the
Pope explains a few mysteries: a
Canadian boy wanted to know what
God did before the world was created.
A boy from Argentina wanted to know
how Jesus decided on twelve men as
Apostles, instead of more. A Nicaraguan girl wanted to know if bad people
have guardian angels. A boy from Syria
asked the Pope if the world might be
“as it was in the past …”
Lots of kids asked personal questions of the Pope: What makes him
happy? Does the Holy Father feel like
a father? What was the hardest thing
he ever had to do? If he could perform
miracles, what would he change?
And then there are the really tough
things: a Chinese boy asked if his grandpa will go to heaven. One child wanted
to know if God can feed poor people.
A Peruvian boy wanted to know where
the miracles are. And an Australian boy
asked if his mum in heaven has grown
angel wings…
Out of the mouths of babes? I think
so; the questions inside “Dear Pope
Francis” are sweet and innocent, but
heavy in nature and they may be issues
that you wrestle with, too. That means
you’ll likely enjoy what you read, just as
much as your child will.
The Pope you see from video and
visits is inside this book: there’s love
and joy here, as well as gentle humor
and a delightful amount of insight on
his life and personal thoughts.
Fr. Spadaro, in his afterword, tells
what it was like to spend an afternoon
with the Pope, where the letters came
from, and how this book came to be.
For 6- to 13-year-olds, that makes
the Pope more accessible. For adults,
there’s a lot of comfort and wisdom
in this book. For both of you together,
“Dear Pope Francis” will get your stamp
of approval.
Appreciation
Martin Supplied Exactly
What The Beatles Needed
By GREGORY KATZ
Associated Press
LONDON — He was
a quiet man, urbane and
sophisticated, impeccably
dressed, loyal to the queen
and fond of his Rolls-Royce
motor car — and he played
a pivotal role in the transformation of four scruffy young
lads from Liverpool into the
most influential rock band in
history.
Under George Martin’s
magisterial guidance, the
Beatles transcended pop culture and created music that
has stood the test of time.
The work they produced has
been covered and copied for
decades, played as reggae
music or chamber music or
given a salsa beat.
It has been more than
half a century since Martin
heard what better-known
executives had missed and
took a gamble on the Beatles, transforming their raw,
atomic energy into an early
run of infectious hits that
captured the optimism of the
early 1960s.
It turned out he had
sharp instincts, proclaiming “Boys, that’s your first
number one” just moments
after they laid down “Please
Please Me” in the Abbey
Road Studios.
As the Beatles grew,
he provided the classical
background and willingness
to innovate that paved the
way for melancholy, mature
songs like “Eleanor Rigby”,
“Strawberry Fields Forever”
and “A Day In the Life.”
It is impossible to try and
separate his contribution
from that of John Lennon,
Paul McCartney, George Harrison and Ringo Starr. It was
simply a magical mix: the
horn flourishes on “Penny
Lane,” the harpsichord on
“In My Life” and the elegant
introduction to “Ticket To
Ride” are collaborations in
the truest sense.
The Lennon-McCartney
songwriting team has taken
its rightful place in the pantheon, joining the giants who
produced the great American songbook. And it was
Martin’s subtle work that
helped make so many of the
recordings unforgettable.
Hearing of Martin’s death,
McCartney Wednesday
cited the producers works
on “Yesterday” as a prime
example of the master’s easy
touch. It was Martin who
suggested the string quartet
that helped turn what might
have been just another ballad into one of the world’s
most beloved, and most
covered, songs.
Their styles at first
seemed to clash: Martin
was a product of the British
establishment the Beatles
loved to lampoon, and even
his necktie drew early scorn
from Harrison. He was not a
rocker who worshipped at
the church of Chuck Berry
and Little Richard, preferring symphonic music and
comedy records, and he was
not steeped in the American
blues tradition so revered
by the Beatles, the Rolling
Stones and the other British
invaders.
The Beatles developed a
famous fondness for marijuana and LSD, indulgences
that held no interest for
Martin. But his open-minded
approach helped them
integrate Indian music and
dreamy, fanciful imagery into
their songs without losing
their shape, structure or
propulsive beat.
Martin was at first skeptical of Starr’s drumming
ability, using a stand-in on
an early disk, but later gave
Starr free rein to develop the
unique, subtle style heard
on “Rain,” “She Said She
Said” and other time-bending
songs.
Consider the Beatles’
collective good fortune:
while Elvis Presley’s musical
legacy was squandered to a
degree by Col. Tom Parker’s
crude management style,
and his preference for Hollywood over Memphis, the
Beatles always had Martin’s
support and exquisite taste.
When Brian Wilson tried
to move the Beach Boys
beyond their tried-and-true
hit single formula, he met
resistance from some band
members who didn’t want
to risk alienating their core
audience. When the four
Beatles tried to push that
same envelope, Martin’s
response was: “Let’s go.”
And when the Rolling
Stones tried to make a psychedelic album, the result
was the much maligned
“Their Satanic Majesties
Request,” remembered
primarily for a novelty 3-D
album cover. The Beatles
and Martin had already done
so much better with “Sgt.
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MOODY
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Band.”
There was never a George
Martin scandal. He stayed on
the sidelines when the Beatles suffered their acrimonious breakup.
When Lennon later lashed
out at him — even criticizing
his producing work — Martin held his tongue.
He enjoyed a long,
productive recording career
post-Beatles, and in later
years became a regal, spectral presence who graced the
occasional public event.
Martin was seen at the
Royal Festival Hall when
Brian Wilson first performed
his long-delayed masterwork
“Smile” and helped organize a Buckingham Palace
concert honoring Queen
Elizabeth II on her Golden
Jubilee in 2002.
He led the very British
“hip hip hooray” in her
majesty’s honor after the
encore.
It was fitting that in one of
his final public appearances
Martin was leading tributes
for someone else. He never
boasted of his musical accomplishments, but they
have grown in stature over
time and will be enjoyed as
long as recorded music is
played.
MOTOR
NIOBRARA, NE
Patrick Hawk
251 Spruce Ave • Box 260
Niobrara, NE 68760
www.moodymotor.com
pjhawk@hotmail.com
(402) 857-3711
(800) 745-5650
Fax (402) 857-3713
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