112916_YKMV_A11.pdf
The Bookworm
History Caught On Film
“Twenty-Six Seconds: A Personal History of the
Zapruder Film” by Alexandra Zapruder; © 2016, Twelve;
472 pages
———
BY TERRI SCHLICHENMEYER
Point and click.
These days, it’s that easy: there’s a camera on your
cell phone and a cloud for your photos. No more film to
buy, or plastic flash bulbs. No more waiting a week for
your pictures; you can see them immediately and delete
what you don’t want. But be careful – as you’ll see in
“Twenty-Six Seconds” by Alexandra Zapruder, some
snaps may have lasting significance.
Though she never knew her grandfather, Alexandra Zapruder understood that he’d done something
noteworthy. When people remarked on her surname, or
asked if the family was related to the man who captured
the Kennedy assassination on film, Zapruder adults
answered politely but otherwise rarely discussed the
matter.
That man, Zapruder’s grandfather, Abe, was born in
1905 in the Ukraine and immigrated to America when he
was a teen. It was a trip that was not without dangers;
still, Zapruder says her grandfather grew up to be a
confident go-getter who ultimately owned a clothing
business in Dallas. That was his work but photography
was his passion.
On Nov. 22,
1963, Abe told
his employees
that they were
free to take a
long lunch to
watch as President Kennedy’s
entourage drove
past their building, and he left to
retrieve the new
film camera he’d
forgotten that
morning. Shortly
after he returned
to work with
camera in-hand
and film loaded,
he asked another
employee to help
steady him so he
could get the best
footage.
Twenty-six seconds. That’s all he caught.
Within minutes, he was offered big money for the
footage, but Abe resisted, insisting that he’d only
release it to government officials; days after that, he
controversially opted to release it to LIFE magazine.
In coming months, when asked to do so, he answered
questions and testified in court, in regards to the footage.
And then he put the matter aside, reluctant to speak
of it again.
But, of course, that wasn’t the end of the film.
“There would be no end to it,” says author Alexandra
Zapruder, but the footage’s afterlife was a contentious
one. In “Twenty-Six Seconds,” she elaborates.
Beginning with Zapruder’s reasoning for telling this
story, readers will gain a unique perspective on this
iconic sliver of celluloid, but that tale is marred by passages of recreated emotions and conversational bits.
Yes, that moves this story along but recreated scenes as
such are inherently fiction. Clarity matters here — was
the information from interviews or was it meant to set a
scene? — and it would have helped a lot.
And yet, though it can absolutely be quite wordy,
there’s enough family research and personal insight in
this book to keep it readable and relevant. It’s been 53
years since the film was captured; it seems that we can
never know enough about it.
I think that if you want nothing but hard facts, pass.
If you’re still fascinated with Camelot and conspiracy,
then this book belongs on your bookshelf. Fall in the
latter camp, and “Twenty-Six Seconds” is a book you
should make a point to own.
*********************************************
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