060215_YKMV_A10.pdf
June 2, 2015 • Page 10
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Divine Time: Midler Keeps Quips
Coming As She Hits The Road
New At The Library
Here’s what’s new at the Yankton
Community Library this week:
ADULT BOOKS
I can do it.”
She also knows that, at a
moment when records don’t
sell the way they used to,
touring is key for performers, even the veterans.
“Streisand, McCartney, Mick
and the Stones — they all do
well,” she said. “People come
out for their shows.”
As for more current pop,
Midler said she keeps up
with what’s happening and
recognizes something of her
famously eclectic approach
in the work of Kelly Clarkson
and Bruno Mars (who, like
Midler, was born and raised
in Honolulu).
“But I don’t feel like I’m
really in the swim,” she said,
her golden-blond hair slicked
back against her head. “I’m
sort of on the shoals, just
treading water. But I’m comfortable with that.”
For her new concert,
Midler said she was after
something “smaller and a bit
more intimate” than her last
production, which she put
on at Caesars Palace in Las
Vegas beginning in 2008.
“That show was gigantic. I
could never top it,” she said.
Asked whether she enjoyed
the Vegas experience, Midler
replied, “I enjoyed it up to a
point. Then it was like, ‘Who
do you have to sleep with to
get out of here?’”
Her stint in Sin City
overlapped with the late’00s economic crash, which
hit the rapidly developing
town especially hard. “The
construction cranes stopped
in the middle of the night,
and everybody walked
off the job,” she recalled.
“People with those subprime
mortgages just got in their
cars and left. I’d never seen
anything like it.”
BY MIKAEL WOOD
• The Book of Aron by Jim Shepard; Fiction
• Born of Defiance by Sherrilyn Kenyon; Fiction
• Dry Bones by Craig Johnson; Fiction
• The Forgotten Room by Lincoln Child; Fiction
• The Guest Cottage by Nancy Thayer; Fiction
• Inspector of the Dead by Bavid Morrell; Fiction
• Lillian on Life by Alison Jean Lester; Fiction
• Kill Fee by Owen Laukkanen; Fiction
• The Memory Painter by Gwendolyn Womack; Fiction
• Rock with Wings by Anne Hillerman; Fiction
• The Rosie Effect by Graeme Simsion; Fiction
• The Second Sister by Marie Bostwick; Fiction
• The Trouble with the Truth by Edna Robinson;
Fiction
• Viper Game by Christine Feehan; Fiction
• War of the Wives by Tamar Cohen; Fiction
• You Will Never Find Me by Robert Wilson; Fiction
• All Bets Are Off by Arnie & Sheila Wexler; Nonfiction
• Hope by Amanda Berry & Gina DeJesus; Nonfiction
• Ice Pops! by Cesar & Nadia Roden; Nonfiction
• Legend by Eric Blehm; Nonfiction
• A Lucky Life Interrupted by Tom Brokaw; Nonfiction
• Out of Orange by Cleary Wolters; Nonfiction
• Thieves’ Road by Terry Mort; Nonfiction
• This Is What You Just Put in Your Mouth? by Patrick Di Justo; Nonfiction
ADULT AUDIO BOOKS
• A Dangerous Place by Jacqueline Winspear; Fiction
• Don’t Go Home by Carolyn Hart; Fiction
• The Forgotten Room by Lincoln Child; Fiction
• Hot Pursuit by Stuart Woods; Fiction
• To Kill a Mockingbird by Harper Lee; Fiction
ADULT DVDS
• American Sniper
• Fifty Shades of Grey
• Glee, the Final Season
• You’re Not You
YOUNG ADULT BOOKS
• Apple and Rain by Sarah Crossan; Fiction
JUNIOR BOOKS
• Bayou Magic by Jewell Parker Rhodes; Fiction
FAMILY DVDS
• Wild Kratts: Shark-Tastic!
© 2015, Los Angeles Times
LOS ANGELES — Bette
Midler knows what’s expected of her onstage in 2015.
“I have to sing well, and I
have to have a great band,”
she said recently. “But my
audience, they’ve known me
at this point for 50 years.
Whether I show up in a
fishtail or not, I don’t think it
matters to them.”
The fishtail, of course, is
a reference to her character
Delores DeLago, the mermaid
in a wheelchair who (mostly)
sits out Midler’s new show.
So what does it mean for this
veteran entertainer to skip
one of her most famous bits?
“It means I had to fill 20
minutes,” she answered with
a throaty laugh.
As quick with a quip as
ever, Midler, 69, sat down in
Hollywood for a chatty interview between rehearsals for
what she’s calling the Divine
Intervention tour.
The road show, Midler’s
first in a decade, follows
the release last year of “It’s
the Girls!,” a studio album
collecting the singer’s vivid
renditions of songs by girl
groups from the Boswell
Sisters to TLC.
Given that it brought
Midler back to music after
a stretch spent primarily focused on acting (most
notably in the acclaimed
Broadway play “I’ll Eat You
Last,” about the late talent
agent Sue Mengers), “It’s
the Girls!” could be thought
to have set the table for the
tour. Yet Midler admitted she
had another, more pressing
reason for heading out on the
road now.
“I’m old,” she said. “I
don’t know how much longer
Those on the glittering
Strip weren’t insulated from
the damage. By the middle
of her show’s second year,
Midler said, empty seats
began creeping forward from
the back of the auditorium.
“I was like, ‘Oh, my God, this
never happened to me in my
life.’” Promoters asked to
put her on a three-day week,
which she couldn’t afford to
do. “I had to pay everybody
in the show, which was very,
very expensive.” Midler
finished out the gig in early
2010, but it left a mark.
“I still have $75,000 worth
of pantyhose that nobody
ever wore,” she said. “Can I
offer them to you?”
Olivier Goulet, one of the
creative minds behind her
new traveling show, said the
concept this time was to
“bring the theater to arenas,”
which the production seeks
to accomplish with a proscenium arch that doubles as a
surface for various state-ofthe-art projections. There
are also elaborate costumes
and custom choreography
by Toni Basil. Yet the focus,
Goulet insisted, is Midler
herself.
“I wanted to do some new
songs, and I wanted to hear
a blasting band behind me,”
the singer said. “I hired some
horns and a real funk rhythm
section, which is interesting because I’m not really a
funkmeister. But I have my
dreams.”
Those new songs include
selections from “It’s the
Girls!,” which is a far more
imaginative record than it
might’ve been. For many
artists late in their careers,
the covers album is where
inspiration goes to die (or at
least retire).
Yet unlike, say, Rod Stewart’s snoozy series of Great
American Songbook discs,
Midler’s project puts across
real feeling for its material —
no surprise, perhaps, given
that she’s been doing girlgroup tunes since her 1972
debut, “The Divine Miss M,”
which paid homage to the
Dixie Cups and the Andrews
Sisters.
The album, produced by
Marc Shaiman, also makes
unlikely connections between
styles, as in a country-fried
take on the Supremes’ “You
Can’t Hurry Love” and TLC’s
mid-’90s R&B hit “Waterfalls,”
remade here as a mournful
supper-club ballad.
Midler said that interpretive ability has always come
naturally to her, in large part
because of her childhood
in Hawaii, where pop radio
in the 1950s “was about 10
years behind the time.”
So although she “came of
age in the rock ‘n’ roll world,”
as she put it, she’d earlier
been exposed to music from
the ‘20s and ‘30s. “I’m really a
bridge,” she said.
And where does that
bridge lead next? She’d
like to make a jazz record,
she said, and sing with an
orchestra, something she
got a taste of at the Academy
Awards in 2014 when she
performed “Wind Beneath My
Wings” during the annual “In
Memoriam” sequence.
“You haven’t heard
anything until you’ve stood
in front of 90 pieces,” Midler
said. “The sound was like a
wave.”
Or maybe she’ll go in a
different direction. “I know
a lot of Hawaiian music,
which I never sang,” she said.
“Somebody call Bruno!”
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